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Effectively staged in the round, “A Doll’s House” has lost none of its gripping power. John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist. Enjoy the best stories and perspectives from the theatre world today. It’s not hard to see why, in fact.
Brief Biography of Henrik Ibsen
NORA.I would play the fairy and dance for you in the moonlight, Torvald. NORA.No, certainly not. It would never have entered into my head for a moment.Besides, he had no money to lend then; he came into his money afterwards. NORA.Everyday regularly. He is Torvald’s most intimate friend, and a greatfriend of mine too. NURSE.Oh well, young children easily get accustomed to anything.
Act 1 - A Doll's House - Henrik Ibsen
Theater review: College of Marin puts on lovely, compelling production of ‘A Doll’s House’ - Marin Independent Journal
Theater review: College of Marin puts on lovely, compelling production of ‘A Doll’s House’.
Posted: Wed, 29 Nov 2023 08:00:00 GMT [source]
It isbecause I make believe to myself that we are secretly in love, and you are mysecretly promised bride, and that no one suspects there is anything between us. NORA.[going to the other side of the table]. You mustn’t say thingslike that to me tonight. On the contrary, I feel extraordinarily lively.
Analysis of Henrik Ibsen’s A Doll’s House
Torvald and Nora begin the play in a doll’s house of their own making. Society dictates every move. They must be models of tight-collared rectitude and live, in effect, official lives. Dare to wear red, or dance a Tarantella, and risk public scandal. In this society, the surface — what seems to be — is the truth.
Well, perhaps it is best so. For him, anyway.(Standing still.) And perhaps for us too, Nora. We two are thrownquite upon each other now. (Puts his arms around her.) My darlingwife, I don't feel as if I could hold you tight enough. Do you know,Nora, I have often wished that you[pg 98]might be threatened by some great danger, so that I might risk my life'sblood, and everything, for your sake.
And it can’t behelped. NORA.Yes—yes, of course. NORA.[takes her hand out of his and goes to the opposite side of the ChristmasTree]. How hot it is in here; and I have such a lot to do. KROGSTAD.And you naturally did so at once, because five or six days afterwards youbrought me the bond with your father’s signature. And then I gave you themoney.
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Mrs. Linde (going up to her). It is you that must not beangry with me, dear. The worst of a position like mine is that it makesone so bitter.
—and I don't understand you. I want to be a mother to someone, and your childrenneed a mother. We two need each other. Nils, I have faith in your realcharacter—I can dare anything together with you. I could not endure life without work.
And allthis—only for the sake of money. It is impossible where I live; there is no privateentrance to my rooms. Come in; we are quite alone. The maid is asleep,and the Helmers are at the dance upstairs. Mrs. Linde (looking at her watch). Not yet—and the timeis nearly up.
You are a clever boy, Ivar. Let me take her for a little, Anne. Mysweet little baby doll! (Takes the baby from the MAID anddances it up and down.) Yes, yes, mother will dance with Bob too.What! Have you been snow-balling?
MRS LINDE.I want to be a mother to someone, and your children need a mother. We two needeach other. Nils, I have faith in your real character—I can dare anythingtogether with you.
Now he’s been sacked, he is clearly going to go through with his threat and tell his former employer the truth about what Helmer’s wife did. A Doll’s House is one of the most important plays in all modern drama. Written by the Norwegian playwright Henrik Ibsen in 1879, the play is well-known for its shocking ending, which attracted both criticism and admiration from audiences when it premiered. NORA.No, that is just it. You don’t understand me, and I have never understoodyou either—before tonight. No, you mustn’t interrupt me.
Nora (speaking quickly). You might give me money, Torvald.Only just as much as you can afford; and then one of these days I willbuy something with it. Nora (putting her hands over his mouth). Don't saysuch horrid things. McTeer is surrounded by an excellent cast; without a high level of support she could not deliver such an extraordinary performance.
Nora tells Kristine of her difficult situation, gives her Krogstad's card with his address, and asks her to try to convince him to relent.
What a horrible awakening! All these eightyears—she who was my joy and pride—a hypocrite, a liar—worse,worse—a criminal! The unutterable ugliness of it all! [NORA is silent and looks steadily at him.